ars viva 09/10: History
Mariana Castillo Deball, Dani Gal, Jay Chung & Q Takeki Maeda
20.2.-4.04.2010
Poster ars viva 09/10 - Geschichte/History
Design: Manuel Raeder
The Kölnischer Kunstverein is delighted to be able to present this year’s prestigious ars viva prize exhibition on the theme of History. The Kulturkreis der deutschen Wirtschaft im BDI e.V. (Cultural Circle of German Industry in the BDI, reg. charity) awarded the ars viva prize for visual arts of € 5,000 each to Mariana Castillo Deball (b. 1975), Jay Chung and Q Takeki Maeda (b. 1976/77), and Dani Gal (b. 1975). Three exhibitions (in the Museum Wiesbaden, in the Kölnischer Kunstverein and in the migros museum für gegenwartskunst in Zurich) in the series ars viva are linked to the promotional prize, and these will be accompanied by a catalogue in two languages and an artist’s edition. The three prize-winners were chosen from 44 artists in whose work the investigation of the construction of historical facts is of central importance.
Mariana Castillo Deball, Do ut des, 2009
Mariana Castillo Deball, The stronger the light your shadow cuts deeper, 2010
Installationsansicht 2010
Foto: Simon Vogel
It is striking that all the prize-winning artists engage in their work with the question of the construction of history, how and why it comes to be used today in the political but also the economic sphere. They concentrate in their works on the historical document as the smallest common factor on which, seen from today, agreement can be reached.
Jay Chung & Q Takeki Maeda, ohne Titel, 2009
Installationsansicht 2010
Foto: Simon Vogel
Dani Gal, Seasonal Unrest
Installationsansicht 2010
Foto: Simon Vogel
Jump 2010 & ADKV-Art Cologne Award
Last Chance to See - Kunstverein. The dinosaur of the art world
Event series 26.6.-5.9.10
For the first time the art associations in Bonn, Düsseldorf and Cologne are working together on a joint project, in which the institutional challenges for art associations in the 21st century shall be discussed. Art associations are basically bourgeois institutions which have developed in the beginning of the 19th century (Vormärz) as an active answer to the aristocratic parlors.
Poster zu Die Letzten ihrer Art, Design: lange+durach
Melanie Gilligan
Solo exhibition
within the series Last chance to see. A cooperation between the Kunstvereine Bonn, Duesseldorf and Cologne
26.6.-5.9.10
Opening: 25.6.10, 7 p.m.
Poster zur Ausstellung von Melanie Gilligan
Design: Manuel Raeder